Hugh MacTavish (UK).
Details
Hand thrown, woodfired stoneware, blue & woodash. 9 x 12.5 cm diam.
Ian Rylatt (Wales).
Inspired by Shakespeare's " A Midsummer Nights Dream". Juice from the flower "Lve in Idleness" induces partakers to "Fall in Love" with the next live creature they see. Use with Caution.
Ihor Kovalevych (Ukraine).
Hand-build stoneware. 17 x 17 x15 cm
Ineke Nicolle (South Africa).
Handthrown in Walford white - Glazed fired at 1260C. Inspired by the simplicity of form and decoration of work by Gwyn Hanssen Pigott.
Ingrid Allik (Estonia).
Cup- Porcelain, Saucer- Raku
Irina Romina-Wilken (Germany).
"Woman in the Sea". Touching of senses. Deeply, dancing lightening in hot tea. A sea of warming flow. Positive feeling of beauty, colour and form. Dreaming meeting in the middle. Ceramic, handbuilt, glaze-painting, gloss firing at 1140C, 11 x 16 cm.
Isabelle Pammachin (France).
Earthenware. 7 x 12.5 cm diam. Price to come.
Jack King (UK).
"Cup & Saucer for an Iron Man". I intendent to make something far removed from conventional pottery. Reduction fired at 1280C usin a brick matt glaze on white stoneware.
Jacqueline B Lewis (UK).
Savour a mint tea whilst enjoying the rich textures and colours caused by gas flame and salt on the thrown porcelain clay cup and saucer. Details reference Music and Sea.
Jacqueline Smith (UK).
I developed a love of using clay whilst studying drawing and painting at Cheltenham College of Art. When our boys were old enough, I started making pots again at Langley College and have been potting ever since. 11 x 25 cm
Jake Allee (USA).
"Teacup Couch Style" 10 x 16 x 13 cm I chose ceramics as a medium because it reflects my work ethic learned from growing up in Iowa. You have to work hard to make it there, and in ceramics you have to muscle stuff around.
Jan Thompson (UK).
Jan Lives and works as a studio potter in Poole. She is an active nember of Dorset Potter Group. The cup and saucer is thrown and modelled in white earthenware with underglaze colours. Inspired by Aquaerobics!
Jan Willis (UK).
Following one year at Adult Education classes at Staines, I am now in my fourth year at East Berkshire College (Langley) with tudor Chris Bull. 9 x 18 cm
Jane Crick (Australia).
Glazed white and red earthenware; pinched and slabbed. Making original tableware is a relaxation and an opportunity to step outside my usual boundaries. Thank you.
Jane Lucas (UK).
CV to come. Paper clay
Janet Halligan (UK).
All my vessels are built from slabs of clay and usually feature some kind of fastening. This asymetrical cup & saucer in stoneware is glazed using a speckled magnesium glaze with copper lustre.
Janet Walton (UK).
Janet is a prolific part of ceramics and sculptures class at Battle Pottery, Reading. She likes working fine, small and painting colourful decoration and designs. This piece combines all of this, note innovative cup and saucer! Press moulded, under-glaze decoration.
Jennifer Bult (Australia).
Australia is a continent of inspiration; pinch pot cup and stretchd slab saucer, imbossing underglaze, terrasigelata and clear glaze fired to 1200 C. One of a set of six landscape cups. 7 x 14 x 12 cm. www.jenniferbult.com
Jennifer Collier (Australia).
Thrown stoneware with a sparkly purple-blue glaze. The saucer is turned off-centre to leave room for a biscuit, cake or chocolate. I hope you enjoy my quirky cup and saucer! 8 x 19 x 17 cm.
Jennifer Woodroffe (UK).
"Tea for One". Porcelain throw and altered cup and moulded saucer, decorated with reduction fired celadon and copper-red glazes. Matching tea pot available.
Jenny Papalexandris (Australia).
I have explored elements of nature and the exquisite fragility of sea life skeletons. I live close to the ocean and walk there every day. My piece is made of handmade porcelain and fired with a matt white dolomite glaze.
Jill Crowley (UK).
The Cabbage cup and Soil saucer came from drawing on an allotment. Jill's figurative work has been exhibited widely in Europe, America and Japan, Featuring in many public collections. Materials: porcelain cup and stoneware saucer. 13 x 27 cm
Jo Larkman (UK).
CV to come
Joanne Pendennis (UK).
Jo is a prolific part of ceramics and sculpture class at Battle Pottery, Reading. This piece has been thrown, turned and decoration added. Jo likes to slab, thrown, coil and combine.
Joanne Wizbicky (USA).
Oxidation-fired, hand-thrown/handbuilt white stoneware. The colour and form were inspired by a 1900 French jardiniere. This whimsical (leaf with snail-like handle) creates the feel of an outdoor tea party. 7 x 17 x 12.5 cm
John Beck (UK).
Wheel thrown stoneware, altered and decorated with colouring slips under a transparent glaze. The cup 8 x 9 cm, the saucer 2 x 14.5 cm
John Egerton (UK).
"most of my work is thrown, but I also enjoy the freedom and informality of hand building. I use the technique of etching through the glaze when first applied to the surface of the pots, finding in nature an endless source of design ideas and textures,. I aim to interpret directly on to pots Moorland and Coastal scenes that I see around me in this beautiful part of North Yorkshire.
John Pollex (UK).
The item I’ve sent is a new departure for me as it’s made with paper clay and is hand built. Unlike my usual work there is no colour apart from the glaze. 9 x 13 cm
John Reading (Wales).
As a tutor and maker I am undoubtedly influence by living in the hills of Mid Wales in sight of Cardigan Bay. My work is primitive in construction and expressionist in decoration
Juan Pache (Uruguay).
After som research I've been making in the past few years, I developed a technique to carve designs on ceramics by sandblasting. This cup and saucer were made with this technique.
Judy Wojcik (USA).
Thrown and altered stoneware cup and saucer are surfaced with a white carbon trap glaze and salt-fired.10 x 14 x 13 cm.
Julie Ann Wise (UK).
Inspired by myth and fairytales, the boby was slip-cast and the handle constructed by rolling clay into a cabbage leaf, finished with a tin-glaze. Sadly domage in transport. Not for sale.
June Ridgeway (UK).
Karen Robinson (Canada).
I Handbuilt and throw with a cone 6 white stoneware, and paint the surfaces with colourful stains. Playfulness and function fit together into pieces that i hope will be enjoyed daily.
Karen Shapley (UK).
My work evolves from an interest in the domestic and a desire to create collectable 3D collage of ceramics and textiles
Karoline Kaltwasser (Germany).
"Time Free - Free Time." This cup is a cheerful inspiration to drink your coffee. In combination with the really big saucer "Fish-Free," it makes you smile in the morning. Wheel thrown and fired to 1250 oxidation. 10 x 21.5 cm diam.
Katharina Aus (Estonia).
Would You Like Some Tea? I have played with clay since I found it first time by seaside in childhood. This material allows you to make things which have shape of your thoughts. It gives chance make back-ups and in other hand it is so everlasting. I like contrasts in it. 1.2 x 1.8 x 1.2 cm. Price to come.
Katharina Steinhauser (Germany).
This Cup and Saucer has been created exclusively for this exhibition, based on a long experience to design ceramics and my enthussiam for the wonderful material Clay. 14 x 12 cm
Kathrin Ritzi-Schaufelberger (Switzerland).
As this is an asymmetric cup, watch out pouring your drink! I enjoy working with coloured porcelains, making hand-built or wheel-thrown functional ware. 7 x 13.5 cm diam.
Katie Chern (Taiwan).
Hand-built with souther porcelain.
Katy Walker (UK).
Katy Walker's work explores elements of composition and form, stripping extraneous detail from everyday, familiar objets in search of their essence. She works in porcelain, even though it is cruel. Porcelain 2006, 20 x 12 x 12 cm
Kaye Pemberton (Australia).
I am drawn to the concept of alchemical moments when people share conversation and companionship. One intention is that my pieces can help transform the moment for the user.
Kent Harris (USA).
The slow turning of the kick wheel allows my hands to leave rhythmic lines. Using local clays and wood ash glazes allows me to create pots which reflect the natural beauty of their source, the earth and trees. Very sadly damage in transit. Not of Sale
Kerstin Wilke (Germany).
"Ease & Energy". Start your day unhurriedly with a cup of tea or coffee holding in your hands. And take energy for the whole day out of it. 11 x 23 x 21 cm.
Kim Lim (UK).
I studies at Cardiff and gained a B.A (Hons) in 3D Design (Ceramics) in 1980. I completed my training with a postgraduate in Art Teacher's Certificate and taught art for three years. 9 x 18 cm
Kyle Rees (USA).
Wheel-thrown paddled stoneware with a reduction-fired glaze. 12 x 14 x 14 cm.
Lauraine Parker (Australia).
"Hello Cocky" was made to reflect the beautiful flora and fauna Australia where i live. Handbuilt from coils, decarated with slips, englobes, commercial colours and glaze. 18 x 17.5 cm
Laurence G. Tilley (UK).
My work is inspired by the "grotesques" which illustrate the margins of mediaeval documents. This figure is a Jew being exiled from England in 1290. He seemed rather personable.
Leonie Lucey (Australia).
The frog is a reminder, not only of the childhood activity of catching tadpoles and the delight of watching them become a frog, but the fragility of the present environment where a few of our grandchildren have had the opportunity to experience this wonder of nature. The handbuilding of each frog creates an individual with character and expression of its own extended or limited by the shape of the pot.
Lesley Porter (South Africa).
LOVE IS: "T" FOR TWO. A professional potter of longstanding, I work in high-fired stoneware and porcelain. My student inspired this cup and saucer. I have exhibited regionally and nationally
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